Since the election of Jair Bolsonaro in October, many sectors in Brazil face great uncertainty – including the cultural sector. The next president of Brazil – who is due to take power on January 1 – has not fully disclosed his government’s plans for arts and culture, something that is filling Brazil’s film industry with a good deal of apprehension.
Brazilian cinema, so vibrant since the mid-1990s, hit its nadir in 1990 after the country’s first democratic election in 30 years brought Fernando Collor de Mello to power, intent on a rationalization of state-supported industries. Mr. Collor abolished state control of the arts, including Embrafilme, the state film bureau. After a period marked by the hegemony of TV, Hollywood domination of the domestic market and an increase in pornographic content in national film productions, Brazilian cinema ground to a halt; no films were produced for two years.
Following Mr. Collor’s impeachment on corruption charges in 1992, Brazilian cinema began to pick up again – largely thanks to the Audiovisual Law which was passed in 1993 and which established tax incentives for film production. The results were dramatic – production rose from 14 films in 1994 to 160 films in 2017. The resurgence in Brazilian cinema – or retomada, as it is known – saw audiences flocking to see local films, especially comedies,...
Search
